In Defense of Piracy

Lawrence Lessig, co-founder of Creative Commons, writes in the WSJ in defense of piracy -- or more aptly the culture of remixing of which blogging is certainly a part:

The return of this "remix" culture could drive extraordinary economic growth, if encouraged, and properly balanced. It could return our culture to a practice that has marked every culture in human history -- save a few in the developed world for much of the 20th century -- where many create as well as consume. And it could inspire a deeper, much more meaningful practice of learning for a generation that has no time to read a book, but spends scores of hours each week listening, or watching or creating, "media."

Yet our attention is not focused on these creators. It is focused instead upon "the pirates." We wage war against these "pirates"; we deploy extraordinary social and legal resources in the absolutely failed effort to get them to stop "sharing."

This war must end. It is time we recognize that we can't kill this creativity. We can only criminalize it. We can't stop our kids from using these tools to create, or make them passive. We can only drive it underground, or make them "pirates." And the question we as a society must focus on is whether this is any good. Our kids live in an age of prohibition, where more and more of what seems to them to be ordinary behavior is against the law. They recognize it as against the law. They see themselves as "criminals." They begin to get used to the idea.

Read the whole thing.

Hat-tip: Virginia Postrel

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What the Recording Industry Association of America is up to is cost-shifting, sticking taxpayers with the bill for trying to stop clever kids from outsmarting greedy grownups.

Back when reel-to-reel tape recorders began becoming affordable to music fans, the music companies wanted the government to keep people from copying music from the radio, despite the fact that this 'piracy' helped build demand for music.

When cassette recorders came in, it was the same stink all over again.

Now with digital media, there is a difference. The major players in the music business are a small number of huge multinational corporations with, collectively, a lot of clout in Washington, and so they can make their will into law. Cost-shifting their defenses to the taxpayer is a key piece of their business model.

By Ken Shabby (not verified) on 16 Oct 2008 #permalink