Artists & Art
bioephemera | September 7, 2011Entangled, 2010
handbuilt porcelain, cone 6 glaze
Kate MacDowell sculpts partially dissected frogs, decaying bodies with exposed skeletons, and viscera invaded by tentacles or ants. It's the imagery of nightmares, death metal music videos, or that tunnel scene in the original Willy Wonka (not a speck of light is showing, so the danger must be growing. . . ). But her medium - minimalist, translucent white porcelain - renders her viscerally disturbing subject matter graceful, even elegant. Some of her pieces, like Sparrow, below, play off the porcelain's resemblance to delicate bleached bone.…
sb admin | September 6, 2011Photo of Vermont highway courtesy of Kyle Cornell
Last week, I had my long-awaited vacation semi-ruined when, thanks to Hurricane Irene, my flight back from the West Coast was cancelled. I had to rent a car and drive across the country in a rush - not my favorite way to spend three and a half days. But based on what I saw passing through New York, and what I've heard about the damage in Vermont, I can't complain: flooding has overturned homes, isolated entire towns, and destroyed everything some families own.
Vermonters are a notoriously self-sufficient bunch, and I haven't seen that much…
sb admin | August 26, 2011Gold Cortex
16 x 20, 2010Greg Dunn
I used to have a beautiful gold Japanese folding screen, which was purchased by my great-grandmother's feisty sister on a trip in the 1920s. I loved the gold patina and the surprisingly modern impact it had on my wall. At the moment, it's loaned to a friend, but looking at Greg Dunn's artwork, I couldn't help but be reminded of the best aspects of my screen: the gold leaf, crisp black patterns, and way that the scene seemed half natural, half abstract.
The biggest twist Greg, a 6th year graduate student in neuroscience at the University of Pennsylvania,…
bioephemera | August 26, 2011Gold Cortex
16 x 20, 2010Greg Dunn
I used to have a beautiful gold Japanese folding screen, which was purchased by my great-grandmother's feisty sister on a trip in the 1920s. I loved the gold patina and the surprisingly modern impact it had on my wall. At the moment, it's loaned to a friend, but looking at Greg Dunn's artwork, I couldn't help but be reminded of the best aspects of my screen: the gold leaf, crisp black patterns, and way that the scene seemed half natural, half abstract.
The biggest twist Greg, a 6th year graduate student in neuroscience at the University of Pennsylvania,…
bioephemera | August 18, 2011Chalk Outline Tree
Armando Fontes (graffiti) and Catia Rissi (photographer)
Armondo Fontes and Catia Rissi call their chalk outlines of cut urban trees a "collective denunciation as an environmental graffiti." Fontes, who lives in the city of Belo Horizonte in southeastern Brazil, saw that trees were being cut and the city was not replacing them. He decided to engage in a guerilla art protest:
With the stumps that remain after cutting the trees, Fontes draws what would have been the shadow of the tree that once existed there. "I thought to refer to the universe of the cartoon. The silhouette…
bioephemera | August 17, 2011In a guest post at Scientific American, Rebecca Jablonsky says,
Kuhn de-legitimized the understanding of science as implicitly including objective reality, leaving room for theory to de-stabilize rituals of practice and produce authentic innovation-something that is certainly prized in both artistic and scientific communities alike.
Seriously - go read it and come back. It's short. I'll wait.
So I don't get it. While Jablonsky's post is well-written and thoughtful, and I basically agree with everything she says, and find the concepts interesting, I can't figure out who the post is intended to…
bioephemera | August 17, 2011L'Automaton #06, 2010Paolo Ventura
(zoom view available here)
Artist-photographer Paolo Ventura constructs and photographs miniature, dreamlike scenes. His Winter Stories represent the reminisces of an old circus performer. Above, a scene from the Automaton series captures a mysterious, half-built android. Who is the android's creator? When and where is this happening? Ventura's work is evocative precisely because it is so mysterious. (It turns out that Ventura's backstory for the Automaton series involves a lonely watchmaker in the Jewish ghetto of 1942 Venice - but still, that hardly…
bioephemera | August 7, 2011Annalisa Crannell, a professor at Franklin & Marshall, has a great essay at Inside Higher Ed on the math of perspective. Crannell, who thinks her students are generally more scared of drawing than they are of math, uses the "fencepost puzzle" to get her students working through the proportions that create realism:
We mathematicians tend to stare at the paper, hoping an answer jumps off the page at us. Artists pull out their pencils and start doodling, often stumbling upon a solution almost by accident. The artists have learned to overcome their fear of drawing something that is "wrong,"…
bioephemera | August 6, 2011FYI: longtime blogger-artist Glendon Mellow has teamed up with Kalliopi Monoyios to start a new artscience/sciart blog, Symbiartic, for Scientific American's blog hub. For a taste, check out this post on why cameras won't replace artists anytime soon.
bioephemera | July 17, 2011
Untitled, from "The Others"Jordan Tiberio
My favorite thing about the internet is serendipity. Click here, click there, and the next thing you know you're scrolling down the gallery of an 18-year-old photographer whose artistic sensibility seems equal parts 1970s fashion magazine, pre-Raphaelite fairy tale, and Sigur Ros music video. Lovely young women are hardly an original topic, but Tiberio's work seems to catch a disquieted, ambivalent undertone to the beauty. Is it ambivalence about the artifice of fashion, about aging, about one's own body and sexuality? I have no idea, but I'm…
bioephemera | July 4, 2011
Nick's LuncheonetteRandy Hage
Via the eye-candy blog How to Be a Retronaut (thanks Miles for first sending me a link there), the painstakingly accurate miniature Manhattan streetscapes of LA artist Randy Hage are half-toy, half-historical document - a wonder cabinet of urban curiosities.
Hage's overarching goal is to preserve rapidly disappearing streetscapes. As he told Jeremiah Moss at Vanishing New York,
I remember one instance in particular that prompted me to seriously focus on this project. I was on my way to revisit a Brooklyn donut shop that I had photographed a year earlier. I…
bioephemera | July 3, 2011From the Smithsonian, a short video about using technology to virtually reassemble ancient art from fragments long carried away and dispersed:
Majestic sixth-century Chinese Buddhist sculpture is combined with 3-D imaging technology in this exploration of one of the most important groups of Buddhist devotional sites in early medieval China. Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan were the crowning cultural achievement of the Northern Qi dynasty (550-77 CE). Once home to a magnificent array of sculptures--monumental Buddhas, divine attendant…
bioephemera | May 22, 2011. . . they could have. Or pretty darn close, at least - they just needed to visit one of the many European cabinets of anatomical curiosities, to see the work of anatomists like Honore Fragonard.
Fragonard's eighteenth-century ecorches were the clear precursors to Gunther von Hagens' "Body Worlds" exhibits: preserved, injected, partially dissected bodies in lifelike, dramatic poses, with ragged strips of muscle draped like primitive clothing over exposed vessels and nerves. The effect is eerie - like a Vesalius illustration sprung to (half-)life:
Man with a Mandible
Several of Fragonard's…
bioephemera | May 20, 2011Cell Division IV
Michele Banks
DC area artist Michele Banks has donated one of her cell division watercolors to raise funds for art outreach. Check out the online auction - the painting is matted and framed and currently going for only $52.
Michele is not a biologist, but she's been on a sci-art kick for a while, inspired by the fortuitous resemblance of watercolor patterns to cellular structures. To see more of her work, visit her etsy shop, artologica.
bioephemera | May 19, 2011
minouette of magpie & whiskeyjack has posted an interesting meditation on the resemblances between Katie Scott's whimsical faux-botanical/biological atlas pages (above), the illustrations of Ernst Haeckel (whose portrait minouette just finished), and the Codex Seraphinianous. It's a harmonious grouping of artistic influences - check it out.
bioephemera | May 19, 2011The making of an hourglass:
The Hourglass from Ikepod on Vimeo.
"Director Philip Andelman traveled to Basel, Switzerland, to document the designer's modern take of the classic hourglass inside the Glaskeller factory. Each hand made hourglass comprises highly durable borosilicate glass and millions of stainless steel nanoballs, and is available in a 10 or 60 minute timer."
Music by Philip Glass ("Opening").
Via Braniac.
bioephemera | May 17, 2011. . . let the table settings do the talking (and the grossing out) for you! These Consumption Dinnerware plates by Leah Piepgras "are a map of the digestive tract, from mouth to anus:"
I'm trying to decide if these plates have a future as a diet aid.* Visualizing the eventual chyme-ish fate of a bolus of taco salad might just induce me to eat less. . . on the other hand, the dreamy blue watercolor palette makes me think of snowflakes, not chyme and gall. And I think I've done too many dissections for a medical illustration to have much of an effect.
Via the design blog CollabCubed.
*you…
bioephemera | May 15, 2011Alienation often accounts for a macabre sense of the marvellous. At the entrance to "Savage Beauty," there is an evening gown conjured entirely from razor-clam shells. Antelope horns sprout from the shoulders of a pony-skin jacket, and vulture skulls serve as epaulettes on a leather dress. There are angel wings made out of balsa wood, and worms encased in a bodice of molded plastic. "I'm inspired by a feather," McQueen said of all the duck, turkey, ostrich, and gull plumage in his clothing--"its graphics, its weightlessness, and its engineering."
--Judith Thurman"Dressed to Thrill," a review…
bioephemera | May 13, 2011
From instructables user Copper Twist, this impressionist masterpiece of bacon is both biological and ephemeral (euw). What would Van Gogh say? Why do I feel if Van Gogh were alive today, he might be Vegan?
Via Chow Bella, via lots of people.
bioephemera | May 13, 2011
Yes, I cry at everything -- Love Actually, holiday commercials, abandoned furniture on curbs -- so what could I do to resist this little guy? Is he not adorable?
He is also a letterpress card on sale at Blue Barnhouse. I just ordered several of him because I CAN'T HELP IT, he needs to be cuddled! (Fortunately envelopes can do that.)